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July 7th, 2012
While designing the tape, I had two goals in mind:
Sound transformations had to be minimal and to use natural situation perceptions: place, distance, movement.
I wanted different situations, though. Here are some.
For the distance effects, I used intensity of course, but also the high-pass filtre, because voices afar lose more bass frequencies than high ones. I also used panning.
All spoken text in The Globe and Sh*t comes from comments retrieved from the Globe and Mail. These are moderated by the newspaper.
The Globe and Sh*t will be premiered during the World Saxophone Congress, in St. Andrews, Scotland, on July 14th, 2012.
Composing The Globe and Sh*t – 2. Recording comments
The Globe and Sh*t in Scotland